Labyrinth of lies movie review imbd
Radmann is furious that nobody appears to want to follow up, to charge the teacher with war crimes though he had been in the Waffen SS. He is motivated when Simon Kirsch (Johannes Krisch), an Auschwitz survivor, accepts a light for his cigarette, dropping what he is carrying when he notes that the helpful school teacher with the match had been his tormentor when he was in the camps. (Today, by contrast, Germany confesses to the crimes, and in Berlin, you can even take a “Third Reich tour” which includes allowing tourists to stand directly above Hitler’s Bunker and which in one exhibit plasters the walls with news clippings about the era.)Īll action centers on Fehling, an idealistic prosecutor who acts with rage throughout much of the two-hour narrative film, a fictional character who is really a composite of three prosecutors that actually lived at the time and who prosecuted the small fish who had taken part in atrocities during the war. But even those Germans who were not Party members are presumably guilty for working in the perverse interests of their country, even with such mundane tasks as performing clerical work that aided in the extermination of “non-Aryan enemies,” including not only Jews but also Jehovah’s Witnesses, homosexuals, Romanis and the disabled.Īccording to the director and co-writer Elisabeth Bartel, in the late fifties when Johann Radmann (Alexander Fehling) in the role of a young, ambitious prosecutor, asks Germans from various walks of life what they know about Auschwitz, the standard answer is “nothing.” This may be true since the German government at least in those early years since the war did what they could to cover up the Nazi crimes. Similarly, we are told in “Labyrinth of Lies” that the guilty party is not one person but perhaps twenty-five percent of the German population, specifically members of the Nazi Party during and before World War II and, secretly, after the war as well. The playwright bludgeons the audience with the most melodramatic finale possible.
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Though Keller is exonerated, he ultimately commits suicide. pilots during World War II, causing the deaths of twenty-one pilots. Giulio Ricciarelli’s film “Labyrinth of Lies” brings to mind Arthur Miller’s equally melodramatic play, “All My Sons.” In that latter work, sixty-year-old Joe Keller is guilty of shipping damaged aircraft cylinder heads to U.S. Written by: Elisabeth Bartel, Giulio RicciarelliĬast: André Szymanski, Alexander Fehling, Gert Voss, Johannes Krisch, Friederike Becht, Hansi Jochmann, Johann von Bülow, Robert Hunger-Bühler
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LABYRINTH OF LIES (Im Labyrinth des Scheigens)